How’s the Cold Open?
It’s actually pretty standard for the Cold Open to feel a little out of step with the rest of the episode. It’s attacking different subjects, usually political ones, at a totally different clip.
Still, in such an episode that was so bizarre and exuberant and off-kilter as this one, this one still felt a little off comparatively. Now, fortunately, it wasn’t just wheeling out Baldwin in the Trump makeup and calling it done. He was here, but the focus was on Moffat and McKinnon as the recently announced-to-be-engaged hosts of the MSNBC show Morning Joe. Their lovey-dovey physical comedy here is plenty amusing, and at least a welcome change from talking into the camera during the Cold Open.
And when Baldwin’s Trump returns, it’s got more energy than it’s had in multiple sketches, perhaps because all Baldwin has to do is the voice. While Anthony Atamanuik is currently spanking Baldwin’s impression weekly over on The President Show, this one is at least better than normal, giving Baldwin a chance to indulge in the weirder parts of the persona by playing as John Miller, Trump’s fake publicist.
But overall, the sketch just feels out of step with the rest of the episode, a bit of normality on a weird one. Nothing too strange, just physical comedy and some fill-in-the-blank jokes.
I certainly know that no one would have expected as much musical comedy out of Chris Pine, a guy who’s talented and handsome and desperately trying to differentiate himself from the other talented and handsome actors named Chris that are filling out the ranks of our Genre franchises.
Though, perhaps his SNL appearance shows that differentiation. Besides his go-for-broke goofiness, there’s a real talent there, an acting through the whole body through every bit of weirdness. Pine is the most actorly of the Chrises, but he’s the one who disappears into goofiness the quickest. Also, I can’t reiterate this enough…he just keeps singing. So much singing. It’s kind of great.
What Sketches Are Worth Watching?
The theme of this night is “Holy shit, this is a weird one, and I LOVE it.”
Perhaps the biggest case in point is this one. A sketch that starts with going for broke, a premise that makes no sense but in the best way, and just keeps spiraling upwards and upwards until its end. Entirely too much fun (Cotton Candy Dance Party actually sounds like a good Saturday night) and reasonably well-structured, this was the sort of bizarre exuberance that made the whole night work.
“World Peace Rap”
I’m still not entirely sure what’s happening here, and I love it. I like that Pine seems to jibe so well with Bennett’s weirder sensibilities tonight, and he plays at each turn. This is definitely a bizarre sketch (that Tommy Wiseau wig) that must be based on SOMETHING, and holy hell I’m just glad to have seen it happen.
“The Handmaid’s Tale”
This seems to be a sketch with an obvious direction, so when it takes the turn it does, I’m all the more appreciative. The angle of “men ignorant of women’s problems” is incredibly well-played and the delivery between the actors here is A+, a smarter tear of satire that the standard Trump stuff.
“Star Trek Lost Episode”
Just another big, goofy one that strikes me as one of those sketches that makes it hard to believe anyone managed to come up with it. It’s also a sketch that makes you realize that you’re probably gonna miss Bobby Moynihan when he leaves, there’s a level of sheer fun and interplay with any member of the cast that nobody else does even half as well. No one outside of Kenan can get so much with one bug-eyed look.
Also, fun fact, Leo Yoshimura, SNL’s longtime set designer, is the man playing Sulu, reprising his role from the first Star Trek sketch in 1976.
“Where In The World Is Kellyanne Conway?”
I’m a big fan of “deflater” sketches, where there’s a HUGE wind-up for a deliberately hilarious thud. So this one totally works for me, pulling off a pretty well-done recreation of Where in the World is Carmen San Diego, including a pretty good impression of The Chief (though not as hilarious as the one Carl Tart has been doing over at Comedy Bang! Bang!), and then ending in about 15 seconds. Short sketches really do benefit SNL.
“The House w/ Chris Pine”
I’ve missed these Good Neighbor sketches, these chances for SNL to hew closer to anti-comedy and Tim and Eric-esque sketch making, so I’ll praise any time they come back around. The stilted delivery is always a special kind of brilliant, especially out of sketch actors as good as Bennett and Mooney, and the way this one chugs forward is just such a delight to watch.
“Chris Pine Monologue”
Our first signal for how much singing was gonna happen, and also how much fun Chris Pine would end up be in this episode. I kind of love him leaning into the Chris dilemma (by the way, Chris Evans is the only one who hasn’t hosted yet, get on that), and it’s the one time the musical monologue feels of a piece with the rest of the episode. So, points.
What Didn’t Work?
“Couples Game Night”
Cute idea, weird punchline, but it kind of just takes too long to get there and doesn’t find quite enough laughs along the way to justify the length of the sketch.
Again, cute premise, and that lip sync battle at the end is amazing, but the sketch tips its hand too early. You know where it’s gonna go and the pivot doesn’t function like it needs to at all.
Che and Jost were in reasonably fine form this week, going in on a week of fairly supreme Trump stupidity and evil. The AHCA passing was the center of the week’s best jokes, with Jost commenting on Trump’s building of a wall “between Americans and their healthcare” and Che noting the overwhelmingly white House Republicans were celebrating like “they had just invented sickle cell.”
Their groove is so established that it comes down to the specifics of the material, and there’s just too much going on this week to not have a few good gags.
Two this week. One is Leslie Jones doing a solid bit of stand-up. I’m never going to protest when Leslie Jones comes on as herself, and she’s killing it as herself here. The other is Dawn Lazarus, played by Vanessa Bayer, who I’d love to see more of. It’s a variation on Kristen Wiig’s travel agent character, taken to an extreme where her nervousness has gone so far that it’s looped past making her unable to perform and has her speaking gibberish with total confidence. Bayer does amazing things with this character, an absolutely tightly controlled performance.
Did You Actually Watch The Musical Guest?
Nope, I feel like I should get into LCD Soundsystem at some point though.
Bennett wins it almost solely on the back of the World Peace Rap. In general, he seemed to vibe the most with what has happening this episode, acting through the singing and the musical number, but World Peace Rap is such an insane thing that it’s hard to not give him credit for how well it was done.
Season so far:
Beck Bennett – 4
Kate McKinnon – 2
Bobby Moynihan – 2
Cecily Strong – 2
Mikey Day – 2
Vanessa Bayer – 1
Jost and Che – 1
Leslie Jones – 1
Kyle Mooney – 1
Kenan Thompson – 1
Melissa Villaseñor – 1
Ensemble – 1
Overall, I like when the show goes goofy, and I like when the show goes weird. This was both in spades, and Chris Pine was a surprising delight to watch. A good week.
Season Rankings (Shamelessly stolen from SNL Scorecard)
- Dave Chappelle
- Tom Hanks
- Kristen Stewart
- Lin-Manuel Miranda
- Louis C.K.
- Emma Stone
- Aziz Ansari
- Chris Pine
- Scarlett Johansson
- Alec Baldwin
- Kristen Wiig
- Margot Robbie
- Casey Affleck
- Benedict Cumberbatch
- John Cena
- Felicity Jones
- Octavia Spencer
- Emily Blunt
- Jimmy Fallon
Next Week: Melissa McCarthy!