Where Is Everybody?
- Bran makes Littlefinger shit himself and is a dick to Meera. Arya and Sansa reunite and Arya sword fights like a motherfucker.
- Jon and Dany uncover some ancient drawings that prove Jon Snow knows something. There’s a disagreement over the next step to take.
- King’s Landing
- A Lannister pays her debts.
- SHIT. GETS. REAL. AND. ON. FIRE.
HOLY FUCKING SHIT #GameOfThrones
— Brandon Wagner (@BWagnerelli) August 7, 2017
It’s hard to top this almost immediate reaction. When a show is this consistently strong and pushing the limits of scope and scale on TV action and genre conventions, it’s rare to feel like anything but an event episode can take you off-guard or really and truly thrill you.
I have a feeling that this will become a cliché over the increasingly high budgets of these last episodes, but the final battle sequence ranks among the show’s best. It’s rare to be able to make such a thrilling sequence out of such a brutal beat-down but my god if director Matt Shakman doesn’t pull it off. The ominous beating of the hooves turning into the terrifying whooping of the Dothraki soldiers descending down on the Lannisters, facing a kind of enemy they never have before. Christendom being beaten by the Mongol Hordes. That sheer terror you see on the trembling soldiers, the prepping for a battle is so well-done and the tension gets ratcheted so high.
Then the dragon comes screaming over the hill and Dany speaks “Dracarys” and the whole thing jumps to the next level. We’ve seen what the dragons can do and heard tale of their warfare. But Game of Thrones pays off that build-up in the most spectacular of ways, showing us exactly what all this lore actually is. The dragon is TERRIFYING here, the touch of seeing the soldiers turned to ash and blown away is one of the best touches I’ve ever seen in a battle, an image up there with Jon facing down the Bolton Cavalry.
But what especially makes this sequence work is a point the creators made in the behind the scenes feature at the end. This is the first time we’ve seen two main “hero” characters face off against each other. Dany vs. Jaime, we’ve got our attachments to both and the emotions are swirling. Tyrion watching his brother charge into near-certain death is exactly what works about this, that sickening feeling of how these powers are going to push against each other. The stakes are high, even if we know nobody can die, because our characters are now forcing each other to suffer setbacks, the people we’ve been rooting for can win or lose by each other’s hands.
But let me not solely praise this episode for its final battle, though it’s the easiest to remember. This episode stages some truly great drama that deserves recognition.
The Starks slowly begin to congregate back at Winterfell with Bran still acting weird after his trip abroad (because he’s functionally no longer human). The dynamic they’re playing here is interesting, with Bran acting like an asshole because it’s becoming increasingly clear that he’s functionally no longer Bran. Along with Arya’s shapeshifting, the idea that the Stark’s reunion has come at the cost of them all losing some part of their Stark identity (minus Sansa, Bran is the three-eyed Raven, Arya is No One, and Jon is a Targaryen) provides that melancholy undercurrent to what has largely played as the show’s happier storyline as of late.
Oh yeah, Arya is back at Winterfell. This continues the play with Arya’s storyline turning from one of its most brutal to one of its most joyous and oddly comedic. Her mocking the guards is certainly a fun sequence. But the undoubted highlight is the sword fight between her and Brienne. Not only some of the show’s best fight choreography in some time, but it’s rare to see these character just get to show off. Maise Williams definitely has a future in action roles, just a thrill to watch her go for it.
Outside of a brief sojourn to King’s Landing, the other main event of this episode is at Dragonstone, as Jon and Dany get closer and Jon reveals the ancient drawings of the Night’s King and his forces. The impasse between them is frustrating, but deliberately so, there’s a slowly developing dynamic between the two of them pushing and pulling against each other. Clarke and Harrington are not often this show’s most dynamic actors, but there’s an increasing chemistry between them that works.
A chemistry that Davos comments on. This is a great episode for Davos, one of the show’s more understated characters. His role as Jon’s advisor has been a consistent delight and he does so much with even just a few lines.
The show’s shortcuts still show through the seams from time to time (how’d the Dothraki get there? How many ships are still left?) but this is an undoubtedly strong episode of television.
Who Got A Win?
- Injured dragon aside, this was a brutal and decisive victory against the Lannister forces. The Field of Fire 2.0 harmed their siege capacity and made it clear that the Lannisters only have so much they can do against the forces Dany has assembled, how much what she brings is foreign to Westeros. A win for a character who hasn’t had many.
- Dude knocked a dragon out of the air. Once in a lifetime.
- Serious progress on getting Dany to work with him and growing towards actually maybe getting someone to fight the Night’s King.
Who Made A Mistake?
- The Lannisters
- Dany beat their ass down. They’ll be fine, but DAMN that’s a morale shaker.
- Bran made it clear that he know what Littlefinger has done. That plus the return of Arya who takes no shit means that Littlefinger loses the backing role he plays and has the vices closing in on him.
- Gotta stop alienating people around you. I get you’re the Three-Eyed Raven but damn dude.