How’s the Cold Open?
The SNL after a tragedy is always a weird thing, something so visible and so of its moment is always gonna feel the need to address what’s happened and yet it’s never not gonna feel weird for something so goofy (which will have a sketch about tiny mice mocking a lady for being poor later on) to be addressing a mass shooting like this. Yet it’s what we live in now, where you just have to learn how to talk about these things and move on.
This is a relatively classy way, letting Jason Alden perform and retake some narrative around him and also pay tribute to the late, great Tom Petty. A solid, kind, and evocative way to deal with a tragic event.
Gal Gadot has been a charming screen presence ever since she first popped up in the Fast and Furious franchise, but she’s the kind of actress who can have issues on SNL. Game and eager, but more adept at the physical parts of acting than wrapping around the dialogue. Gadot also has little live acting experience and the accent could have made things tricky.
Gadot is certainly eager and game, which is most of hosting, but the show honestly doesn’t give her much to do. Unlike most hosts, Gadot is never given the chance to really cut loose or play the comic character. She’s the reaction or the straight woman in every sketch and when she does get to be the comic character, she’s really low-key (such as in her Jenner performance).
What Sketches Are Worth Watching?
This is definitely one of those sketches that feels like a weird premise being held back from the 90s, but with OJ in the news, I guess now is as good a time as any to use it. This one is sold entirely on Kenan’s skillful comic underplaying of OJ here and the great little comedy of errors stacking that the writing does here. A solid premise and performance that uses OJ as a shortcut rather than a whole joke, the kind of sketch that tends to be rare.
Honestly, if we’re gonna do these heavy product placement sketches, let’s make the companies regret doing ’em. Beck does great work with his bald goateed creep and the steady escalation honestly feels almost too real to be funny, tipping just past into the point of absurdity. This is a dark sketch, like the White Castle one from last season, and I’m all for it.
A thin premise (and what appears to be an apology to Kate McKinnon for all those Last Call sketches) is pretty much buoyed by Aidy Bryant and McKinnon’s delightful energy here. It has the same weird “Fellow Kids” quality that applies every time they do a sketch using some popular genre series, but again, Bryant and McKinnon are just having so much goshdarned fun I can’t help but enjoy this one.
“E! New Lineup”
I’m actually a sucker for these fake show sketches (Powerful Sluts of Miami is such a great title) and this is a fairly solid one, some solid easy pitches the show manages to hit. Gadot’s Kendall Jenner is surprisingly accurate and Chris Redd’s Kanye impression that doesn’t say a thing feels more dead-on than Pharaoh’s vocalized Kanye. Doesn’t overstay its welcome either. New cast member Luke Null actually getting a chance to show off too.
“The Chosen One”
Pete Davidson’s recurring character, the moron teen that everyone has big plans for (may not be the actual name), is one of the most low-key successful recurring characters on this show. Even if it’s pretty much the same joke every time, there’s something that feels infinitely malleable about the performance and everyone’s reactions to him that get funnier the bigger this gets. Suffice to say, the very serious and big fantasy world being reliant on this idiot is pretty funny.
What Didn’t Work?
Kind of a silly sketch, but really just hammers home the same joke without ever finding another angle to mine something fresh out of it. Just too thin to be really that great.
“The Maiden and The Mice”
Like a more innocent version of those sex fiend elf sketches, this one has pretty much the same amount of laughs that like…the 5th or 6th version of that sketch did. It doesn’t know what the joke is, doesn’t know what it’s mocking, just not sure at all what’s really happening outside of the fact that they know how to do this shrinky effect.
A lesser version of the Surveillance sketch from Wonder Woman co-star Chris Pine’s episode, this one didn’t have the same goofy innocence that one did, this one ended up more like an attempt to connect two disparate sketch ideas, forcing the events that they’re seeing to do more work than just their reactions to it.
“The Naomi Show”
This one ends up kinda feeling like a lesser version of a sketch that a lot of different shows have tried at one point or another, the “Maury” parody with an excessively strange character. The host is not usually the straight-woman, it’s weird to slot Gadot in here. But while Gardner is certainly going for it here and Bryant is giving just as much oomph to her performance, this one just feels like a fizzle.
“Gal Gadot Monologue”
There’s just not much to say here, cute concept, doesn’t amount to much.
This was an Update that went for a lot of Clapter (applause for truth-telling over comic punch) as Che and Jost largely spent their joke segments going for gun control. It’s passionate for sure and the raw confidence and attitude is certainly a different look for them. Jost and Che might consider seeing how they could turn it into a different tone as they found some stronger jokes in going bold and direct and avoiding the muddled politics that SNL is often rightfully accused of.
Two old standbys round out Weekend Update. I’ll confess that I don’t much cared for McKinnon’s Ruth Bader Ginsburg, who’s the sort of broad comic character that McKinnon can do better than and feels way more like an early ’00s piece than of the modern era. There was something delightful post-election, but outside of that it feels bland. Here, you know the joke, there’s not much more to it.
Davidson makes a pretty bold admission on air (his Borderline diagnosis), Davidson as the show’s open and honest presence has been a good niche for him and he gets some solid jokes here.
Did You Actually Watch The Musical Guest?
I’m still mad at Sam Smith for winning that Oscar. Such bullshit.
Tonight, Aidy Bryant by and away runs away with the show. In a show that leans towards the low-key, she manages to buoy a couple sketches with some very loud, very strong energy and is just an all-out delight to watch in this episode.
Kate McKinnon – 1
Aidy Bryant – 1
Honestly, I think putting Gadot in all straight-woman roles tonight was a mistake. It made for a show that didn’t feel anywhere near goofy enough and kept its energy too low to lift off the ground. It’s a benefit for that energy that the show was more about weird premises than anything else as it suited a lot of that listless energy. But a few strong ones don’t take away from how sleepy this one was.
Season Rankings (Shamelessly stolen from SNL Scorecard)
- Gal Gadot
- Ryan Gosling