Saturday Night Live Season 43, Episode 7: Saoirse Ronan charms a night that gets better as it goes along

INTRO

How’s the Cold Open?

Holy fuck this is bad.

It’s hard to talk week after week about how bored I am by Baldwin’s Trump and I not only appreciated the break but was sure that I would have warmer feelings when he returned.

But even if I did, one of the most obvious and irritating pieces of writing that they’ve come up with in sometime would have dashed all those quickly. I mean, look, Trump Christmas Carol is a premise so blatantly obvious as to be hackwork just do it, much less to do it totally earnestly without any real subversion.

It’s made all the worse by the sketch playing it as standard and woefully obvious recitation of “things Trump has done and said” in order to reach for clapter. That Conway “I got so drunk I told the truth line” or that Clinton “Lock Him Up” has no real comedy basis and no joke to it and within the sketch land like a wet thud, even if McKinnon is doing her best to sell it.

It’s just a broad and clunkily written sketch. It feels like all the worst SNL political tendencies in one sketch, buoyed by a fairly lazy impression. It’s like the sketch someone would write to make fun of the show, nothing hits, overly broad, doesn’t know how to end, and ultimately pointless and reassuring with no comedy.

Who’s Hosting?

Saorise Ronan is one of our finest young actresses, one destined for an Oscar shortly enough and one who I may not have suspected to be so ready for the SNL stage. But the same self-assured confidence of performance that makes her so great on film is what makes her work here. Ronan manages to never feel out of place or nervous and she’s actually acting and selling bits of comedy based on her performance. She’s game and really talented with this and I hope to see more of her doing comedy and more of her on SNL.

What Sketches Are Worth Watching?

“Welcome to Hell”

This is undoubtedly the sketch that’s going to have the most life outside of this episode and for good reason. The Ladies of SNL Music Video has been a mark of quality and a recurring sketch onto itself and this one is a fairly smart handling of the sexual harassment stuff. It’s centering reaction of the women and contrasting the bright bubblegum pop of the song and video to the real horrors described, stacking and building in just the right way and using the production design here so well. It’s a lot of fun and even if it could have used a little more energy, this is another great music video.

“Floribama Shore”

We should maybe be a little concerned about the increasing dropping of “Live” from SNL, but we can get to that later. This is a solid send-up of the mining of “middle-class affecting the lower-class reality show” that MTV found working around Jersey Shore. Great characters and details (Quartney, “Benghazi Truther in the Streets,” damn Aidy Bryant really owned this one) and the inclusion of Chris Redd’s sane person in the middle of the whole thing may be the funniest gag of the whole night (that shot of him packing in the middle of the party). And look at Luke Null getting a moment (more on him later).

“The Race”

Beck and Kyle sketches are this show’s truest and most consistent delight, the talent and the specificity are just so good. This is another example, a short that’s half sports-parody and half-80s pastiche parody that spirals so wacky that telling you out of context would just spoil it. Greta Gerwig cameoing is also real fun, she should host.

“Bachelor Auction”

Chad is one of the most odd recurring characters on this show, no voice and no backstory and no conceit but Davidson playing the dumbest possible version of himself. The joke is that everyone is ridiculously magnetically attracted to him for reasons they aren’t quite sure of themselves. This is the first live version but it absolutely plays right,

“Return Counter”

This is a “Parade of Weirdos” sketch and a fairly effective one. Like the Floribama Shore sketch, it’s just about getting those great little details in, what people think and do. McKinnon is probably the best of these at the end, even if Strong is definitely giving it the most effort in this one and is definitely my favorite by a mile.

“American Girl Store”

Mikey Day is getting good at finding these recurring bits, isn’t he? “Distracting Guy in the News Report” (I’m sure it has an actual name) is always a fun one and even if this one is a little more obvious, Day is playing it well and Ronan is underplaying so nicely.

Huh…

“Aer Lingus”

I’m not quite sure what’s going on here. I honestly laughed really hard for reasons I don’t understand. It’s slightly too surreal to just be “Irish jokes” and it definitely just kind of ends, but there’s such a great oddball quality to this one.

What Didn’t Work?

“Late for Class”

Woof. Let’s talk about this one for a second.

Clearly intended to try to give new castmember Luke Null a chance, it’s a really bold choice. A sketch that’s supposed to give no laughs for two minutes so that it can pull up at the end and turn things around and mine how uncomfortable the beginning of the sketch was.

But it doesn’t work. First, the fact that you’ve already bombed and set the audience against the sketch leads to some mild titters among the crowd when it turns around and a hostile atmosphere for the rest of the performance.

But I also think Luke Null doesn’t play it right. He overacts, hitting it too hard, feeling like he isn’t necessarily threading the needle between funny and uncomfortable. Which is hard, I get it, but it’s still what he’s being asked to do.

I feel bad that he took such a hard challenge, but it’s not a fun look to start him out with. Nothing he can do that Mikey Day or Alex Moffatt or Beck Bennett can’t.

“Saoirse Ronan Monologue”

$20 bucks if the monologue isn’t about her name.

It is? Then I got 20 bucks.

Weekend Update!

Boy, Jost and Che have really turned it around. Or the writers have at least. Che may have been weirdly a little off tonight, but there was plenty of great hits on the continuing sexual harassment scandals (comparing it to the Powerball numbers), Roy Moore (segueing out of the creepy YouTube kids videos), and hitting against the tax bill passed in the wee hours of the night. No all-timers, but a lot of strong hits.

Two correspondents this week.

Mikey Day and Leslie Jones return as the sexually adventurous married couple. It’s threaded and performed well with Day letting the passive-aggressive resentment sink in as Jones bashfulness occasionally gives way to her intense desires. Plus the “Stop Whining, Sandwich Boy” is such a good gag.

McKinnon adds another world leader to her repertoire with British PM (for now) Theresa May. While McKinnon plays her with the same able and nimble performance that she does Clinton, Merkel, Ginsburg, and others. But it doesn’t work with May, personally.

McKinnon’s specialty with these characters is taking straitlaced lady world leaders and creating an interesting and funny character out of them. Ginsburg as an insult comic, Merkel as a nerdy high school girl with a lot of crushes, Clinton as power-mad and ruthlessly competent. In other words, people who aren’t terribly funny becoming funny.

The problem is that Theresa May is a hysterical figure. Not intentionally, no. She’s an Armando Iannucci character, someone who believes they’re the only smart person in the room but proceeds to trip over their dicks all the way down the stairs. The person who called a snap election with a double-digit lead and proceeded to lose all of that and her majority to THE ABSOLUTE BOY/JEREMY FUCKING CORBYN and had to ally with insane Scottish reactionaries to barely cling to power as most of her party is waiting desperately to desert her. The character they’ve put together here is just not as funny or comedically interesting as the real person.

Did You Actually Watch The Musical Guest?

I did not!

I haven’t heard the new album yet and wanted to wait.

MVPs!

Cecily Strong had a strong night, really going for it at a lot of turns, including stealing K-Mart straight from under the feet of every one else. Just a good solid night for a great performer.

Cecily Strong – 2
Kate McKinnon – 1
Aidy Bryant – 1
Heidi Gardner –
1
Kenan Thompson – 1
Chris Redd – 1

Final Thoughts!

A nice week! Saoirse Ronan is a great host anchoring a lot of strong performance-based sketches. “Welcome To Hell” is definitely going to have some legs here, but a lot of strong stuff here! A few duds, but nothing bringing down the night too much.

Season Rankings (Shamelessly stolen from SNL Scorecard)

  1. Chance the Rapper
  2. Tiffany Haddish
  3. Saoirse Ronan
  4. Kumail Nanjiani
  5. Gal Gadot
  6. Ryan Gosling
  7. Larry David
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