So…yeah, all that happened.
Perhaps no season of SNL since the season of Tina Fey’s Sarah Palin has felt so relevant and so unsure of its place in the firm, huge spotlight. More thoughts are to come, but this is a season of big questions and big transitions, and a season that’ll likely go on the books as one of its most important.
How’s the Cold Open?
Though perhaps this sketch stands in one of the weirdest moments of that importance nexus.
Look, it’s not a funny sketch. It’s deliberately not set up with jokes. I don’t even know if I like the concept, this seems like a weird angle to take, the show just kind of throwing up an equal time shrug of the shoulders. But it’s designed for everyone to see.
Maybe it’s just a remembering how weird all of this was? The administration that launched SNL back into relevance taking stock of the whole moment? I mean, not that I ever need to hear anyone but Jeff Buckley do “Hallelujah” again, but maybe that’s the purpose.
This is unfocused mostly because this whole bit just confuses me. Is it a goodbye to Baldwin’s Trump? He’s been rumored to leave, which I think would be good for the show, ultimately. He’s become more of a recitation than a performance lately, a new guy might give the show a kick in the pants satirically.
I wish I had more to say but I just earnestly can’t fathom the intentions here.
The third person to join the Five-Timers Club, Dwayne Johnson is one of those guys who increasingly seems like a totally natural fit for SNL. A consummate performer who throws himself 100% into anything he does, he’s a natural fit for a show as big as SNL. Combine that with a gift for comedic underplaying (see: This whole show) and Johnson is exactly up my alley for an SNL host.
What Sketches Are Worth Watching?
“World’s Most Evil Invention”
Like it’s most direct predecessor “Canteen Boy Goes Camping,” I kind of have to imagine this isn’t a sketch for everyone. As in, not for people who have anything resembling good comedic taste.
(Un)Luckily, I don’t. A dark central joke played masterfully by everyone here, with Johnson’s muted performance against everyone else’s exasperated shock, gets huge laughs for those who will take them. This sketch may also feature one of the darkest jokes in SNL‘s history. I don’t want to give it away if you haven’t already seen it, so know that the center of the sketch is a “child molesting robot” and just let it go from there.
If Dwayne Johnson was a host made for me, then the writers knew appropriately enough to write sketches seemingly made just for me. “Enhancement Drug” is one of those sketches with an increasingly unhinged world being built and a totally deadpan explanation of that world. You know, think “Welcome to Night Vale.” Put together well and the slow-build through Johnson’s delivery and the cutting is awesome.
“WWE Promo Shoot 2”
A sequel to this work of beauty from a couple years back (and part of this show’s heavy featuring of departing Bobby Moynihan and Vanessa Bayer tonight), it’s basically the same sketch as the first time around, just new increasingly embarrassing or unnerving details revealed about his life. While nothing is quite as dark or insane as the first one, the sheer psychological terror Koko unleashes on Mutt is well-tuned for our amusement. Again, it’s the underplaying, the idea that Johnson seemingly has no idea the insanity he’s spewing, that makes it so funny.
A short, solid “Parade of Weirdoes” sketch that is almost entirely here for …
We need nothing else.
Vanessa Bayer’s specialty has always been digging into very specific archetypes. Not creating characters (though she can do that), but understanding types of people and blowing them up to proper comedic proportions. She digs into the trophy girlfriend of privilege here perfectly, turning her character into the center of the commercial gag here. There’s such a specific character here that it really works.
Just a great little weird, quick performance piece that I like more than thing is actually good. Kinda rapid-fire with Beck Bennett’s dumb guy charisma really selling the verbal loops of the sketch.
This one just makes me giggle in a way I can’t quite explain. I think it’s his totally earnest flattery at being told how good his work is and how much they seem to honestly like it. There’s just something kind of nice about this one, and hey, that costume does actually look pretty dope.
“RKO Movie Set”
Why the fuck not? This is just so earnest and bizarre and goofy that the fact that it’s an extended fart joke fades into the background pretty quickly. I was laughing.
“Dwayne Johnson Five-Timers Monologue”
I won’t get political here, but we must radicalize Dwayne Johnson to Leftist politics for the good of this country.
What Didn’t Work?
“Gemma w/ Dwayne Johnson 2”
I’ll give this Gemma sketch props since it’s the only one since the first that gets that this sketch was written for a guy like Dwayne Johnson, and uses him. The gag still pretty much ran out the first time, so not much positive to report here.
Apparently the goodbye sketch for Moynihan and Bayer (though their Weekend Update appearances did that much more effectively), it’s a shame they got such a lame one to send them off. Kind of an abruptly ended fizzle of a sketch that built to no joke and said almost nothing.
There’s a degree to which Jost and Che just kind of have to throw their hands in the air this week. No joke is more insane than this week’s actual twelve-ring-fuckery-pile-up, no jab more cutting than things that people actually did. A few good punches (“President-for-now Trump”) were given and it appears that Update has pretty much found its line on attacking Trump, pulling above him for mockery. It works, and the groove that Jost and Che have settled into really does work.
But Update this week really wasn’t about the anchors. It was a wave good-bye to the two long-time performers.
Bayer got to do a character introduced last week, Dawn Lazarus, that reminded us how talented she is on the technical side. That barrelling through barely legible spoken-English is brilliant work and her ability to play anything with a straight face is gonna be sorely missed.
Moynihan brought back Drunk Uncle, his most famous creation. A few good malapropisms, some non-PC ranting, just like old times. It’s a reminder of the sheer commanding force Moynihan was on this show and how much he can get a laugh out of just a look.
Did You Actually Watch The Musical Guest?
I’m giving Moynihan and Bayer an MVP point to wave goodbye to two of the quiet pillars of this cast over the last few years. They’d deserve it even without them saying goodbye, as both nailed their performances across a series of sketches, with Bayer killing it in the Cartier ad and Moynihan turning out great gags in the Wingman and WWE Promo Shoot ads.
Also a point for Zamata, who got shafted by this show for the whole time and then didn’t even get a chance to actually say goodbye.
Beck Bennett – 4
Cecily Strong – 3
Bobby Moynihan – 3
Kate McKinnon – 2
Mikey Day – 2
Vanessa Bayer – 2
Jost and Che – 1
Leslie Jones – 1
Kyle Mooney – 1
Kenan Thompson – 1
Melissa Villaseñor – 1
Sasheer Zamata – 1
Ensemble – 1
At the end of the season, they’re fortunate enough to end on one I really like. Johnson’s talent blended with a lot of Bayer and Moynihan’s to produce a rippingly funny, deadpan, and goofy show. A solid note to end on for a season that’s had a long journey to take us through.
Season Rankings (Shamelessly stolen from SNL Scorecard)
- Dave Chappelle
- Tom Hanks
- Kristen Stewart
- Lin-Manuel Miranda
- Louis C.K.
- Dwayne Johnson
- Emma Stone
- Aziz Ansari
- Chris Pine
- Melissa McCarthy
- Scarlett Johansson
- Alec Baldwin
- Kristen Wiig
- Margot Robbie
- Casey Affleck
- Benedict Cumberbatch
- John Cena
- Felicity Jones
- Octavia Spencer
- Emily Blunt
- Jimmy Fallon
Tomorrow: A Season 42 wrap-up with the Best and Worst!